英语小说网

这是一本既写给孩子又写给大人的书。本书通过对查理和约瑟夫爷爷和其他四个幸运儿一起参观旺卡先生的巧克力工厂时，所发生的一些离奇的故事的叙述，用生动的语言告诉了家长该如何教育孩子。本书故事情节离奇、引人入胜，是一本老少皆宜的童话读物。内容简介：小查理生长的一个小镇里有一个全世界最大的巧克力工厂，工厂由一个伟大的巧克力发明家、制造商威利・旺卡所拥有。工厂非常神秘，大门紧锁，全镇子的人从来没有看见有人从大门进去或出来过。有一天，威利・旺卡先生发出告示，将有五位幸运的孩子获得参观巧克力工厂的特权，同时还能得到足够吃一辈子的巧克力糖和其他糖果。全世界购买旺卡巧克力的孩子都有机会。前提是藏在包装纸里的五张金券，谁获得金券谁就是幸运儿。偶然的机会，查理得到了一张金券。参观工厂的过程是一次奇特的经历。每个参观者都感到了无限着迷、狂喜、好奇、惊讶和迷惑不解。即使做最荒诞的梦也想象不出这样的事情。飞瀑而下的巧克力瀑布，流漫着棕色糖浆的河，大片大片的口香糖草地，还有牛奶糖堆成的山。工厂里的工人全是来自蛮荒丛林的酷爱巧克力的矮人。查理和四位幸运儿在旺卡先生的巧克力工厂里参观的过程中，出现了许多有趣的事情：一个孩子掉进了巧克力河，一个孩子变成了蓝莓，一个孩子掉进了垃圾槽，一个孩子被电视传送成了一个手掌大小。而在最后，小查理还得到了一个最大的惊喜：他将拥有威利・旺卡先生赠送他的整个巧克力工厂。

Graham is minding his own business, preparing for a lengthy evening of algebra homework, when a wicked witch reaches out of his mirror and pulls him into Oz. While most of us would consider any trip to Oz favorable to several hours of homework, Graham wants nothing more than to get away from this witch. Once he makes his escape, Graham travels toward the Emerald City, encountering an alien presence along the way, and taking on a traveling partner named Telly. Telly is a robotic-looking creature with a television set for a head. Among the Ozites that are encountered in this book are the Cowardly Lion, the Woozy, and a beautiful unicorn named Jeanne-Marie, whose story is sure to touch your heart. Dennis Anfuso's arresting cover illustration is a joy to see.

The book, which enjoyed immense popularity in the years before World War I, is an early example of the espionage novel and was extremely influential in the genre of spy fiction. 

这是一个不同寻常的真实故事，讲述一个家庭搬进一座破败动物园的奇妙经历。出于对冒险的钟爱，也为了有一个全新的开始，本杰明?梅(Benjamin Mee)一家人搬进了新家——英国乡间一座破旧的动物园。梅有一个梦想：翻新动物园，并将其办成家族企业。起初，朋友和同事们都说他疯了。不过，他和孩子们、几个忠心耿耿的员工一直辛勤劳动，希望能让动物园早日重新开门迎客。2006年，梅夫妇和两个孩子、梅先生的弟弟和他76岁的老母亲一起，搬进了达特穆尔野生动物园(Dartmoor Wildlife Park)。 没有什么事是能一蹴而就的。作为动物园管理人员，这个家庭显然缺乏经验。接下来，作者将带你探索神秘的动物王国，领略让人惊奇不已的悲喜剧。

世界上最美丽的地方，便是我们的家，没有杂质，没有隔阂，更没有虚伪。家是我们所爱的地方，双脚可以离开，心却不能。一个人的家就是他的城堡。不要吝啬一个祝福，不要害羞一个拥抱。拥抱我们的家人，说一声我爱你。珍视这平凡而又高贵的亲情，那是此生此世最真最切的永恒。小时候我们总是盼着长大，以为长大了就可以不用学习了，就可以随心所欲了，就可以赚钱买任何自己想要的。可是长大才知道，生活有多艰辛。

First editionMain article: The Last Battle Completed in March 1953[11] and published 4 September 1956, The Last Battle chronicles the end of the world of Narnia. Jill and Eustace return to save Narnia from Shift, an ape, who tricks Puzzle, a donkey, into impersonating the lion Aslan, precipitating a showdown between the Calormenes and King Tirian.

In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in the Cranford evening parties, or he is accounted for by being with his regiment, his ship, or closely engaged in business all the week in the great neighbouring commercial town of Drumble, distant only twenty miles on a railroad. In short, whatever does become of the gentlemen, they are not at Cranford. What could they do if they were there? The surgeon has his round of thirty miles, and sleeps at Cranford; but every man cannot be a surgeon. For keeping the trim gardens full of choice flowers without a weed to speck them; for frightening away little boys who look wistfully at the said flowers through the railings; for rushing out at the geese that occasionally venture in to the gardens if the gates are left open; for deciding all questions of literature and politics without troubling themselves with unnecessary reasons or arguments; for obtaining clear and correct knowledge of everybody's affairs in the parish; for keeping their neat maid-servants in admirable order; for kindness (somewhat dictatorial) to the poor, and real tender good offices to each other whenever they are in distress, the ladies of Cranford are quite sufficient. "A man," as one of them observed to me once, "is SO in the way in the house!" Although the ladies of Cranford know all each other's proceedings, they are exceedingly indifferent to each other's opinions. Indeed, as each has her own individuality, not to say eccentricity, pretty strongly developed, nothing is so easy as verbal retaliation; but, somehow, good-will reigns among them to a considerable degree.

在中华民族五千年的传统文化中，成语故事是汉语中的璀璨明珠，是中华民族语言的瑰宝。其精练、形象，极富表现力，有着悠久历史文化、民族文化的丰厚积淀。我们可以通过这些历史成语故事去了解中华民族高超的智慧和历久弥新的语言文字。

This Prestwick House Literary Touchstone Classic includes a glossary and reader's notes to help the modern reader understand Joyce's use of textures, dialect, and symbols. Each of the beautifully written short stories in this collection precisely details a brief scene in the life of a resident of Dublin at the turn of the 20th century. Although the characters do not know each other, their experiences unfold along the same streets and often overlap thematically. Their tragedies mirror that of Ireland, a country struggling for political identity and held back, in Joyce's view, by rigid religious ideas and adherence to tradition. Joyce's great skill at dialect offers a sense of the city's complex social structure, while themes of isolation, emotional paralysis, violence, regret, and death run throughout the collection and link all of the stories. Chronologically, too, the stories appear to progress; portrayals of youthful confusion and disillusionment in the opening story, "The Sisters," become the haunting midlife meditations of "The Dead." Like his masterpieces Ulysses and Finnegan's Wake, James Joyce's Dubliners displays consummate control of nuances, emotions, and images.　该书完成于1905年，先后遭20多家出版商退稿。后在美国意象派诗人庞德的帮助与推荐下，作品于1914年正式出版发表。《都柏林人》由15个短篇小说结集而成，以现实主义的手法描绘了形形色色的都柏林下层市层平庸琐屑的生活图景。 　　瘫痪和死亡是贯穿小说集的主题。全书是依据“童年、青少年、成年和社会生活”四个阶段来安排故事顺序的。作品具有现实主义和自然主义的特点，同时也表现出象征主义的倾向。在最后的《死者》一篇中，面对死亡，人们获得了“精神感悟”，生与死的交融象征了都柏林社会与人类的虽死犹生。作品的主旨由此获得了升华。