Chapter 8

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SITTNG IN THE WICKER ROCKING chair with her interrupted work in her lap, Amaranta watched Aureliano, José , his chin covered with foam, stropping his razor to give himself his first shave. His blackheads bled and he cut his upper lip as he tried to shape a mustache blond fuzz when it was all over he looked the same as before, but the laborious process gave Amaranta the feeling that she had begun to grow old at that moment.
"You look just like Aureliano when he was your age," she said. "You're a man now."
He had been for a long time, ever since that distant day when Amaranta thought he was still a child and continued getting undressed in front of him in the bathroom as she had always done, as she had been used to doing ever since Pilar Ternera had turned him over to her to finish his upbringing. The first time that he saw her the only thing that drew his attention was the deep depression between her breasts. He was so innocent that he asked her what had happened to her and Amaranta pretended to dig into her breasts with the tips of her fingers and answered: "They gave me some terrible cuts." Some time later, when she had recovered from Pietro Crespi's suicide and would bathe with Aureliano José again, he no longer paid attention to the depression but felt a strange trembling at the sight of the splendid breasts with their brown nipples. He kept on examining her, discovering the miracle of her intimacy inch by inch, and he felt his skin tingle as he contemplated the way her skin tingled when it touched the water. Ever since he was a small child he had the custom of leaving his hammock and waking up in Amaranta's bed, because contact with her was a way of overcoming his fear of the dark. But since that day when he became aware of his own nakedness, it was not fear of the dark that drove him to crawl in under her mosquito netting but an urge to feel Amaranta's warm breathing at dawn. Early one morning during the time when she refused Colonel Gerineldo Márquez, Aureli-ano José awoke with the feeling that he could not breathe. He felt Amaranta's fingers searching across his stomach like warm and anxious little caterpillars. Pretending to sleep, he changed his position to make it easier, and then he felt the hand without the black bandage diving like a blind shellfish into the algae of his anxiety. Although they seemed to ignore what both of them knew each one knew that the other knew, from that night on they were yoked together in an inviolable complicity. Aureli-ano José could not get to sleep until he heard the twelve-o'clock waltz on the parlor dock, and the mature maiden whose skin was beginning to grow sad did not have a moments' rest until she felt slip in under her mosquito netting that sleepwalker whom she had raised, not thinking that he would be a palliative for her solitude. Later they not only slept together, naked, exchanging exhausting caresses, but they would also chase each other into the corners of the house and shut themselves up in the bedrooms at any hour of the day in a permanent state of unrelieved excitement. They were almost discovered by úrsula one afternoon when she went into the granary as they were starting to kiss. "Do you love your aunt a lot?" she asked Aureli-ano José in an innocent way. He answered that he did. "That's good of you," úrsula concluded and finished measuring the flour for the bread and returned to the kitchen. That episode drew Amaranta out of her delirium. She realized that she had gone too far, that she was no longer playing kissing games with a child, but was floundering about in an autumnal passion, one that was dangerous and had no future, and she cut it off with one stroke. Aureli-ano José, who was then finishing his military training, finally woke up to reality and went to sleep in the barracks. On Saturdays he would go the soldiers to Catarino's store. He was seeking consolation for his abrupt solitude, for his premature adolescence with women who smelled of dead flowers, whom he idealized in the darkness changed into Amaranta by means of the anxious efforts of his imagination.
A short time later contradictory news of the war began to come in. While the government itself admitted the progress of the rebellion, the officers in Macondo had confidential reports of the imminence of a negotiated peace. Toward the first of April a special emissary identified himself to Colonel Gerineldo Márquez. He confirmed the fact to him that the leaders of the party had indeed established contact with the rebel leaders in the interior and were on the verge of arranging an armistice in exchange for three cabinet posts for the Liberals, a minority representation in the congress, and a general amnesty for rebels who laid down their arms. The emissary brought a highly confidential order from Colonel Aureli-ano Buendía, who was not in agreement with the terms of the armistice. Colonel Gerineldo Márquez was to choose five of his best men and prepare to leave the country with them. The order would be carried out with the strictest secrecy. One week before the agreement was announced, and in the midst of a storm of contradictory rumors, Colonel Aureli-ano Buendía ten trusted officers, among them Colonel Roque Carnicero, stealthily arrived in Macondo after midnight, dismissed the garrison, buried their weapons, and destroyed their records. By dawn they had left town, along with Colonel Gerineldo Márquez and his five officers. It was such a quick and secret operation that úrsula did not find out about it until the last moment, when someone tapped on her bedroom window and whispered, "If you want to see Colonel Aureli-ano Buendía, come to the door right now." úrsula Jumped out of bed and went to the door in her night-gown and she was just able to see the horsemen who were leaving town gallop off in a mute cloud of dust. Only on the following day did she discover that Aureli-ano José had gone with his father.
Ten days after a joint communiqué by the government and the opposition announced the end of the war, there was news of the first armed uprising of Colonel Aureli-ano Buendía on the western border. His small and poorly armed force was scattered in less than a week. But during that year, while Liberals and Conservatives tried to make the country believe in reconciliation, he attempted seven other revolts. One night he bombarded Riohacha from a schooner and the garrison dragged out of bed and shot the fourteen best-known Liberals in the town as a reprisal. For more than two weeks he held a customs post on the border and from there sent the nation a call to general war. Another of his expectations was lost for three months in the jungle in a mad attempt to cross more than a thousand miles of virgin territory in order to proclaim war on the outskirts of the capital. On one occasion he was lea than fifteen miles away from Macondo and was obliged by government patrols to hide in the mountains, very close to the enchanted region where his father had found the fossil of a Spanish galleon many years before.
Visitación died around that time. She had the pleasure of dying a natural death after having renounced a throne out of fear insomnia, and her last wish was that they should dig up the wages she had saved for more than twenty years under her bed and send the money to Colonel Aureli-ano Buendía so that he could go on with the war. But úrsula did not bother to dig it up because it was rumored in those days that Colonel Aureli-ano Buendía had been killed in a landing near the provincial capital. The official announcement-the fourth in less than two years-was considered true for almost six months because nothing further was heard of him. Suddenly, when úrsula and Amaranta had added new mourning to the past period, unexpected news arrived. Colonel Aureli-ano Buendía was alive, but apparently he had stopped harassing the government of his country and had joined with the victorious federalism of other republics of the Caribbean. He would show up under different names farther and farther away from his own country. Later it would be learned that the idea that was working on at the time was the unification of the federalist forms of Central America in order to wipe out conservative regimes from Alaska to Patagonia. The first direct news that úrsula received from him, several years after his departure, was a wrinkled and faded letter that had arrived, passing through various hands, from Santiago, Cuba.
"We've lost him forever," úrsula exclaimed on reading it. "If he follows this path he'll spend Christmas at the ends of the earth."
The person to whom she said it, who was the first to whom she showed the letter, was the Conservative general José Raquel Moncada, mayor of Macondo since the end of the war. "This Aureli-ano," General Moncada commented, "what a pity that he's not a Conservative." He really admired him. Like many Conservative civilians, José Raquel Moncada had waged war in defense of his party and had earned the title of general on the field of battle, even though he was not a military man by profession. On the contrary, like so many of his fellow party members, he was an antimilitarist. He considered military men unprincipled loafers, ambitious plotters, experts in facing down civilians in order to prosper during times of disorder. Intelligent, pleasant, ruddy-faced, a man who liked to eat and watch cockfights, he had been at one time the most feared adversary of Colonel Aureli-ano Buendía. He succeeded in imposing his authority over the career officers in a wide sector along the coast. One time when he was forced by strategic circumstances to abandon a strong-hold to the forces of Colonel Aureli-ano Buendía, he left two letters for him. In one of them quite long, he invited him to join in a campaign to make war more humane. The other letter was for his wife, who lived in Liberal territory, and he left it with a plea to see that it reached its destination. From then on, even in the bloodiest periods of the war, the two commanders would arrange truces to exchange prisoners. They were pauses with a certain festive atmosphere, which General Moncada took advantage of to teach Colonel Aureli-ano Buendía how to play chess. They became great friends. They even came to think about the possibility of coordinating the popular elements of both parties, doing away with the influence of the military men and professional politicians, and setting up a humanitarian regime that would take the best from each doctrine. When the war was over, while Colonel Aureli-ano, Buendía was sneaking about through the narrow trails of permanent sub. version, General Moncada was named magistrate of Macondo. He wore civilian clothes, replaced the soldiers with unarmed policemen, enforced the amnesty laws, and helped a few families of Liberals who had been killed in the war. He succeeded in having Macondo raised to the status a municipality and he was therefore its first mayor, and he created an atmosphere confidence that made people think of the war as an absurd nightmare of the past. Father Nicanor, consumed by hepatic fever, was replaced by Father Coronel, whom they called "The Pup," a veteran of the first federalist war. Bruno Crespi, who was married to Amparo Mos. cote, and whose shop of toys and musical instruments continued to prosper, built a theater which Spanish companies included in their Itineraries. It was a vast open-air hall with wooden benches, a velvet curtain with Greek masks, and three box offices in the shape of lions' heads, through whose mouths the tickets were sold. It was also about that time that the school was rebuilt. It was put under the charge Don Melchor Escalona, an old teacher brought from the swamp, who made his lazy students walk on their knees in the lime-coated courtyard and made the students who talked in class eat hot chili with the approval of their parents. Aureli-ano Segundo and José Arcadio Segundo, the willful twins of Santa Sofía de la Piedad, were the first to sit in the classroom, with their slates, their chalk, and their aluminum jugs their names on them. Remedios, who inherited her mother's pure beauty, began to be known as Remedios the Beauty. In spite of time, of the superimposed Periods of mourning, and her accumulated afflictions, úrsula resisted growing old. Aided by Santa Sofía de la Piedad, she gave a new drive to her pastry business and in a few years not only recovered the fortune that her son had spent in the war, but she once more stuffed with pure gold the gourds buried in the bedroom. "As long as God gives me life," she would say, "there will always be money in this madhouse." That was how things were when Aureli-ano José deserted the federal troops in Nicaragua, signed on as a crewman on a German ship, and appeared in the kitchen of the house, sturdy as a horse, as dark and long-haired as an Indian, and with a secret determination to marry Amaranta.
When Amaranta, saw him come in, even though he said nothing she knew immediately why he had come back. At the table they did not dare look each other in the face. But two weeks after his return, in the presence úrsula, he set his eyes on hers and said to her, "I always thought a lot about you." Amaranta avoided him. She guarded against chance meetings. She tried not to become separated from Remedios the Beauty. She was ashamed of the blush that covered her cheeks on the day her nephew asked her how long she intended wearing the black bandage on her hand, for she interpreted it as an allusion to her virginity. When he arrived, she barred the door of her bedroom, but she heard his peaceful snoring in the next room for so many nights that she forgot about the precaution. Early one morning, almost two months after his return, she heard him come into the bedroom. Then, instead of fleeing, instead of shouting as she had thought she would, she let herself be saturated with a soft feeling of relaxation. She felt him slip in under the mosquito netting as he had done when he was a child, as he had always done, and she could not repress her cold sweat and the chattering of her teeth when she realized that he was completely naked. "Go away," she whispered, suffocating with curiosity. "Go away or I'll scream." But Aureli-ano José knew then what he had to do, because he was no longer a child but a barracks animal. Starting with that night the dull, inconsequential battles began again and would go on until dawn. "I'm your aunt," Amaranta murmured, spent. "It's almost as if I were your mother, not just because of my age but because the only thing I didn't do for you was nurse you." Aureli-ano would escape at dawn and come back early in the morning on the next day, each time more excited by the proof that she had not barred the door. He had nit stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of the war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with, his own death, until he heard some old man tell the tale of the man who had married his aunt, who was also his cousin, and whose son ended up being his own grandfather.
Can a person marry his own aunt?" he asked, startled.
"He not only can do that, a soldier answered him. "but we're fighting this war against the priests so that a person can marry his own mother."
"It's not just that," Amaranta retorted. "Any children will be born with the tail a pig."
Aureli-ano José was deaf to all arguments.
"I don't care if they're born as armadillos," he begged.
Early one morning, vanquished by the unbearable pain of repressed virility, he went to Catarino's. He found a woman with flaccid breasts, affectionate and cheap, who calmed his stomach for some time. He tried to apply the treatment of disdain to Amaranta. He would see her on the porch working at the sewing machine, which she had learned to operate with admirable skill, and he would not even speak to her. Amaranta felt freed of a reef, and she herself did not understand why she started thinking again at that time about Colonel Gerineldo Márquez, why she remembered with such nostalgia the afternoons of Chinese checkers, and why she even desired him as the man in her bedroom. Aureli-ano, José did not realize how much ground he had lost on, the night he could no longer bear the farce of indifference and went back to Amaranta's room. She rejected him with an inflexible and unmistakable determination, and she barred the door of her bedroom forever.
A few months after the return of Aureli-ano José an exuberant woman perfumed jasmine appeared at the house with a boy of five. She stated that he was the son of Colonel Aureli-ano Buendía and that she had brought him to úrsula to be baptized. No one doubted the origins of that nameless child: he looked exactly like the colonel at the time he was taken to see ice for the first time. The woman said that he had been born with his eyes open, looking at people with the judgment of an adult, and that she was frightened by his way of staring at things without blinking. "He's identical," úrsula said. "The only thing missing is for him to make chairs rock by simply looking at them." They christened him Aureli-ano and with his mother's last name, since the law did not permit a person to bear his father's name until he had recognized him. General Moncada was the godfather. Although Amaranta insisted that he be left so that she could take over his upbringing, his mother was against it. úrsula at that time did not know about the custom of sending virgins to the bedrooms of soldiers in the same way that hens are turned loose with fine roosters, but in the course of that year she found out: nine more sons of Colonel Aureli-ano Buendía were brought to the house to be baptized. The oldest, a strange dark boy with green eyes, who was not at all like his father's family, was over ten years old. They brought children of all ages, all colors, but all males and all with a look of solitude that left no doubt as to the relationship. Only two stood out in the group. One, large for his age, made smithereens out of the flowerpots and china because his hands seemed to have the property of breaking everything they touched. The other was a blond boy with the same light eyes as his mother, whose hair had been left to grow long and curly like that of a woman. He entered the house a great deal familiarity, as if he had been raised there, and he went directly to a chest in úrsula's bedroom and demanded, "I want the mechanical ballerina." úrsula was startled. She opened the chest, searched among the ancient and dusty articles left from the days of Melquíades, and wrapped in a pair of stockings she found the mechanical ballerina that Pietro Crespi had brought to the house once and that everyone had forgotten about. In less than twelve years they baptized the name Aureli-ano and the last name of the mother all the sons that the colonel had implanted up and down his theater of war: seven-teen. At first úrsula would fill their pockets with money and Amaranta tried to have them stay. But they finally limited themselves to giving them presents and serving as godmothers. "We've done our duty by baptizing them," úrsula would say, jotting down in a ledger the name and address of the motthe place and date of birth the child. "Aureli-ano needs well-kept accounts so that he can decide things when he comes back." During lunch, commenting with General Moncada about that disconcerting proliferation, she expressed the desire for Colonel Aureli-ano Buendía to come back someday and gather all of his sons together in the house.
What General Moncada knew and what he did not wish to reveal at lunch was that Colonel Aureli-ano Buendía was already on his way to head up the most prolonged, radical, and bloody rebellion all those he had started up till then.
The situation again became as tense as it had been during the months that preceded the first war. The cockfights, instituted by the mayor himself, were suspended. Captain Aquiles Ricardo, the commander of the garrison, took over the exercise of municipal power. The Liberals looked upon him as a provocateur. "Something terrible is going to happen," úrsula would say to Aureli-ano José. "Don't go out into the street after six o'clock." The entreaties were useless. Aureli-ano José, just like Arcadio in other times, had ceased to belong to her. It was as if his return home, the possibility of existing without concerning himself with everyday necessities, had awakened in him the lewd and lazy leanings of his uncle José Arcadio. His passion for Amaranta had been extinguished without leaving any scars. He would drift around, playing pool, easing his solitude with occasional women, sacking the hiding places where úrsula had forgotten her money. He ended up coming home only to change his clothes. "They're all alike," úrsula lamented. "At first they behave very well, they're obedient and prompt and they don't seem capable killing a fly, but as soon as their beards appear they go to ruin." Unlike Arcadio, who had never known his real origins, he found out that he was the son of Pilar Ternera, who had hung up a hammock so that he could take his siesta in her house. More than mother and son, they were accomplices in solitude. Pilar Ternera had lost the trail of all hope. Her laugh had taken on the tones of an organ, her breasts had succumbed to the tedium of endless caressing, her stomach and her thighs had been the victims of her irrevocable fate as a shared woman, but her heart grew old without bitterness. Fat, talkative, with the airs of a matron in disgrace, she renounced the sterile illusions of her cards and found peace and consolation in other people's loves. In the house where Aureli-ano José took his siesta, the girls from the neighborhood would receive their casual lovers. "Lend me your room, Pilar," they would simply say when they were already inside. "Of course," Pilar would answer. And if anyone was present she would explain-:
"I'm happy knowing that people are happy in bed."
She never charged for the service. She never refused the favor, just as she never refused the countless men who sought her out, even in the twilight of her maturity, without giving her money or love and only occasionally pleasure. five daughters, who inherited a burning seed, had been lost on the byways of life since adolescence. Of the two sons she managed to raise, one died fighting in the forces of Colonel Aureli-ano Buendía and the other was wounded and captured at the age of fourteen when he tried to steal a crate chickens in a town in the swamp. In a certain way, Aureli-ano José was the tall, dark man who had been promised her for half a century by the king of hearts, and like all men sent by the cards he reached her heart when he was already stamped the mark of death. She saw it in the cards.
"Don't go out tonight," she told him. "Stay sleep here because Carmelita Montiel is getting tired of asking me to put her in your room."
Aureli-ano José did not catch the deep feeling begging that was in the offer.
"Tell her to wait for me at midnight" he said. He went to the theater, where a Spanish company was putting on The Dagger of the Fox, which was really Zorzilla's play with the title changed by order of Captain Aquiles Ricardo, because the Liberals called the Conservatives Goths. Only when he handed in his ticket at the door did Aureli-ano José realize that Captain Aquiles Ricardo and two soldiers armed with rifles were searching the audience.
"Be careful, captain," Aureli-ano José warned him. "The man hasn't been born yet who can lay hands on me." The captain tried to search him forcibly Aureli-ano José, who was unarmed, began to run. The soldiers disobeyed the order to shoot. "He's a Buendía," one of them explained. Blind with rage, the captain then snatched away the rifle, stepped into the center of the street, and took aim."
"Cowards!" he shouted. "I only wish it was Colonel Aureli-ano Buendía."
Carmelita Montiel, a twenty-year-old virgin, had just bathed in orange-blossom water and was strewing rosemary leaves on Pilar Ternera's bed when the shot rang out. Aureli-ano José had been destined to find with her the happiness that Amaranta had denied him, to have seven children, and to die in her arms of old age, but the bullet that entered his back and shattered his chest had been directed by a wrong interpretation of the cards. Captain Aquiles Ricardo, who was really the one destined to die that night, did indeed die, four hours before Aureli-ano José. As won as the shot was heard he was brought down by two simultaneous bullets whose origin was never established and a shout of many voices shook the night.
"Long live the Liberal party! Long live Colonel Aure-liano Buendía!"
At twelve o'clock, when Aureli-ano, José had bled to death and Carmelita Montiel found that the cards showing her future were blank, more than four hundred men had filed past the theater and discharged their revolvers into the abandoned body of Captain Aquiles Ricardo. A patrol had to use a wheelbarrow to carry the body, which was heavy with lead and fell apart like a water-soaked loaf of bread.
Actually, Colonel Aureli-ano Buendía had been in the country for more than a month. He was preceded by conflicting rumors, supposed to be in the most distant places at the same time, and even General Moncada did not believe in his return until it was officially announced that he had seized two states on the coast. "Congratulations, dear friend," he told úrsula, showing her the telegram. "You'll soon have him here." úrsula was worried then for the first time. "And what will you do?" she asked. General Moncada had asked himself that same question many times.
At dawn on the first of October Colonel Aureli-ano Buendía attacked Macondo with a thousand well--armed men and the garrison received orders to resist to the end. At noon, while General Moncada was lunching with úrsula, a rebel cannon shot that echoed in the whole town blew the front of the municipal treasury to dust. "They're as well armed as we are," General Moncada sighed, "but besides that they're fighting because they want to." At two o'clock in the afternoon, while the earth trembled with the artillery fire from both sides, he took leave of úrsula with the certainty that he was fighting a losing battle.
"I pray to God that you won't have Aureli-ano in the house tonight," he said. "If it does happen that way, give him an embrace for me, because I don't expect ever to see him again."
That night he was captured when he tried to escape from Macondo, after writing a long letter to Colonel Aureli-ano Buendía in which he reminded him of their common aim to humanize the war and he wished him a final victory over the corruption of the militarists and the ambitions of the politicians in both parties. On the following day Colonel Aureli-ano Buendía had lunch with him in úrsula's house, where he was being held until a revolutionary court-martial decided his fate. It was a friendly gathering. But while the adversaries forgot the war to remember things of the past, úrsula had the gloomy feeling that her son was an intruder. She had felt it ever since she saw him come in protected by a noisy military retinue, which turned the bedrooms inside out until they were convinced there was no danger. Colonel Aureli-ano Buendía not only accepted it but he gave strict orders that no one should come closer than ten feet, not even úrsula, while the members of his escort finished placing guards about the house. He was wearing an ordinary denim uniform with no insignia of any kind and high boots with spurs that were caked with mud and dried blood. On his waist he wore a holster with the flap open and his hand, which was always on the butt of the pistol, revealed the same watchful and resolute tension as his look. His head, with deep recessions in the hairline now, seemed to have been baked in a slow oven. His face, tanned by the salt of the Caribbean, had acquired a metallic hardness. He was preserved against imminent old age by a vitality that had something to do the coldness of his insides. He was taller than when he had left, paler and bonier, and he showed the first symptoms of resistance to nostalgia. "Good Lord," úrsula said to herself. "Now he looks like a man capable of anything." He was. The Aztec shawl that he brought Amaranta, the remembrances he spoke at lunch, the funny stories her told were simple leftovers from his humor of a different time. As soon as the order to bury the dead in a common grave was carried out, he assigned Colonel Roque Carnicero the minion setting up courts--martial and he went ahead with the exhausting task of imposing radical reforms which would not leave a stone of the reestablished Conservative regime in place. "We have to get ahead of the politicians in the party," he said to his aides. "When they open their eyes to reality they'll find accomplished facts." It was then that he decided to review the titles to land that went back a hundred years he discovered the legalized outrages of his brother, José Arcadio. He annulled the registrations with a stroke of the pen. As a last gesture of courtesy, he left his affairs for an hour and visited Rebeca to bring her up to date on what he was determined to do.
In the shadows of her house, the solitary widow who at one time had been the confidante of his repressed loves and whose persistence had saved his life was a specter out of the past. Encased in black down to her knuckles, with her heart turned to ash, she scarcely knew anything about the war. Colonel Aureli-ano Buendía had the impression that the phosphorescence of her bones was showing through her skin and that she moved in an atmosphere of Saint Elmo's fire, in a stagnant air where one could still note a hidden smell of gunpowder. He began by advising her to moderate the rigor of her mourning, to ventilate the house, to forgive the world for the death of José Arcadio. But Rebeca was already beyond any vanity. After searching for it uselessly in the taste of earth, in, the perfumed letters from Pietro Crespi, in the tempestuous bed of her husband, she had found peace in that house where memories materialized through the strength of implacable evocation and walked like human beings through the cloistered rooms, Leaning back in her wicker rocking chair, looking at Colonel Aureli-ano Buendía as if he were the one who looked like a ghost out of the past, Rebeca was not even upset by the news that the lands usurped by José Arcadio would be returned to their rightful owners.
"Whatever you decide will be done, Aureli-ano," she sighed. "I always thought and now I have the proof that you're a renegade."
The revision of the deeds took place at the same time as the summary courts-martial presided over by Colonel Gerineldo Márquez, which ended with the execution of all officers of the regular army who had been taken prisoner by the revolutionaries. The last court-martial was that of José Raquel Moncada. úrsula intervened. '"His government was the best we've ever had in Macondo," she told Colonel Aureli-ano Buendía. "I don't have to tell you anything about his good heart, about his affection for us, because you know better than anyone." Colonel Aureli-ano Buendía gave a disapproving look.
"I can't take over the job of administering justice," he replied. "If you have something to say, tell it to the court-martial."
úrsula not only did that she also brought all of the mothers of the revolutionary officers who lived in Macondo to testify. One by one the old women who had been founders of the town, several of whom had taken part in the daring crossing of the mountains, praised the virtues of General Moncada. úrsula was the last in line. Her gloomy dignity, the weight of her name, the convincing vehemence of her declaration made the scale of justice hesitate for a moment. "You have taken this horrible game very seriously and you have done well- because you are doing your duty," she told the members of the court. "But don't forget that as long as God gives us life we will still be mothers and no matter how revolutionary you may be, we have the right to pull down your pants and give you a whipping at the first sign of disrespect." The court retired to deliberate as those words still echoed in the school that had been turned into a barracks. At midnight General José Raquel Moncada was sentenced to death. Colonel Aureli-ano Buendía, in spite of the violent recriminations of úrsula, refused to commute the sentence. A short while before dawn he visited the condemned man in the room used as a cell.
"Remember, old friend," he told him. "I'm not shooting you. It's the revolution that's shooting you."
General Moncada did not even get up from the cot when he saw him come in.
"Go to hell, friend," he answered.
"You know better than I," he said, "that all courts--martial are farces and that you're really paying for the crimes of other people, because this time we're going to win the war at any price. Wouldn't you have done the same in my place?"
General Moncada, got up to clean his thick horn-rimmed glasses on his shirttail. "Probably," he said. "But what worries me is not your shooting me, because after all, for people like us it's a natural death." He laid his glasses on the bed and took off his watch and chain. "What worries me," he went on, "is that out of so much hatred for the military, out of fighting them so much and thinking about them so much, you've ended up as bad as they are. And no ideal in life is worth that much baseness." He took off his wedding ring and the medal of the Virgin of Help and put them alongside his glasses- and watch.
"At this rate," he concluded, "you'll not only be the most despotic and bloody dictator in our history, but you'll shoot my dear friend úrsula in an attempt to pacify your conscience."
"But I didn't send for you to scold you," he said. "I wanted to ask you the favor of sending these things to my wife."
Colonel Aureli-ano Buendía put them in his pockets.
"Is she still in Manaure?"
"She's still in Manaure," General Moncada confirmed, "in the same house behind the church where you sent the letter."
"They can bring him out now," he ordered.
K
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