These delicate wafers, crisped by a secret process, cherish in their
unique tang and flavour all the life-giving nutriment that has made the
potato the King of Vegetables——
But the face of Miss Titania kept coming between his hand and brain.
Of what avail to flood the world with Chapman Chips if the girl herself
should come to any harm? "Was this the face that launched a thousand
chips?" he murmured, and for an instant wished he had brought The
Oxford Book of English Verse instead of O. Henry.
A tap sounded at his door, and Mrs. Schiller appeared. "Telephone for
you, Mr. Gilbert," she said.
"For ME?" said Aubrey in amazement. How could it be for him, he
thought, for no one knew he was there.
"The party on the wire asked to speak to the gentleman who arrived
about half an hour ago, and I guess you must be the one he means."
"Did he say who he is?" asked Aubrey.
"No, sir."
For a moment Aubrey thought of refusing to answer the call. Then it
occurred to him that this would arouse Mrs. Schiller's suspicions. He
ran down to the telephone, which stood under the stairs in the front
hall.
"Hello," he said.
"Is this the new guest?" said a voice—a deep, gargling kind of voice.
"Yes," said Aubrey.
"Is this the gentleman that arrived half an hour ago with a handbag?"
"Yes; who are you?"
"I'm a friend," said the voice; "I wish you well."
"How do you do, friend and well-wisher," said Aubrey genially.
"I schust want to warn you that Gissing Street is not healthy for you,"
said the voice.
"Is that so?" said Aubrey sharply. "Who are you?"
"I am a friend," buzzed the receiver. There was a harsh, bass note in
the voice that made the diaphragm at Aubrey's ear vibrate tinnily.
Aubrey grew angry.
"Well, Herr Freund," he said, "if you're the well-wisher I met on the
Bridge last night, watch your step. I've got your number."
There was a pause. Then the other repeated, ponderously, "I am a
friend. Gissing Street is not healthy for you." There was a click,
and he had rung off.
Aubrey was a good deal perplexed. He returned to his room, and sat in
the dark by the window, smoking a pipe and thinking, with his eyes on
the bookshop.
There was no longer any doubt in his mind that something sinister was
afoot. He reviewed in memory the events of the past few days.
It was on Monday that a bookloving friend had first told him of the
existence of the shop on Gissing Street. On Tuesday evening he had
gone round to visit the place, and had stayed to supper with Mr.
Mifflin. On Wednesday and Thursday he had been busy at the office, and
the idea of an intensive Daintybit campaign in Brooklyn had occurred to
him. On Friday he had dined with Mr. Chapman, and had run into a
curious string of coincidences. He tabulated them:—
(1) The Lost ad in the Times on Friday morning.
(2) The chef in the elevator carrying the book that was supposed to be
lost—he being the same man Aubrey had seen in the bookshop on Tuesday
evening.
(3) Seeing the chef again on Gissing Street.
(4) The return of the book to the bookshop.
(5) Mifflin had said that the book had been stolen from him. Then why
should it be either advertised or returned?
(6) The rebinding of the book.
(7) Finding the original cover of the book in Weintraub's drug store.
(8) The affair on the Bridge.
(9) The telephone message from "a friend"—a friend with an obviously
Teutonic voice.
He remembered the face of anger and fear displayed by the Octagon chef
when he had spoken to him in the elevator. Until this oddly menacing
telephone message, he could have explained the attack on the Bridge as
merely a haphazard foot-pad enterprise; but now he was forced to
conclude that it was in some way connected with his visits to the
bookshop. He felt, too, that in some unknown way Weintraub's drug
store had something to do with it. Would he have been attacked if he
had not taken the book cover from the drug store? He got the cover out
of his bag and looked at it again. It was of plain blue cloth, with
the title stamped in gold on the back, and at the bottom the lettering
London: Chapman and Hall. From the width of the backstrap it was
evident that the book had been a fat one. Inside the front cover the
figure 60 was written in red pencil—this he took to be Roger Mifflin's
price mark. Inside the back cover he found the following notations—
vol. 3—166, 174, 210, 329, 349
329 ff. cf. W. W.
329 ff. cf. W. W.
These references were written in black ink, in a small, neat hand.
Below them, in quite a different script and in pale violet ink, was
written
153 (3) 1, 2
"I suppose these are page numbers," Aubrey thought. "I think I'd
better have a look at that book."
He put the cover in his pocket and went out for a bite of supper.
"It's a puzzle with three sides to it," he thought, as he descended the
crepitant stairs, "The Bookshop, the Octagon, and Weintraub's; but that
book seems to be the clue to the whole business."
