Now it was time for the Western threesome to find new living quarters in Manhattan proper. Carlo had a pad on York Avenue; they were moving in that evening. We slept all day, Dean and I, and woke up as a great snowstorm ushered in New Year's Eve, 1948. Ed Dunkel was sit- ting in my easy chair, telling about the previous New Year's. "I was in Chicago. I was broke. I was sitting at the window of my hotel room on North Clark Street and the most delicious smell rose to my nostrils from the bakery downstairs. I didn't have a dime but I went down and talked to the girl. She gave me bread and coffee cakes free. I went back to my room and ate them. I stayed in my room all night. In Farming- ton, Utah, once, where I went to work with Ed Wall--you know Ed Wall, the rancher's son in Denver--I was in my bed and all of a sudden I saw my dead mother standing in the corner with light all around her. I said, 'Mother!' She disappeared. I have visions all the time," said Ed Dunkel, nodding his head.
"What are you going to do about Galatea?"
"Oh, we'll see. When we get to New Orleans. Don't you think so, huh?" He was starting to turn to me as well for advice; one Dean wasn't enough for him. But he was already in love with Galatea, pon- dering it.
"What are you going to do with yourself, Ed?" I asked.
"I don't know," he said. "I just go along. I dig life." He repeated it, following Dean's line. He had no direction. He sat reminiscing about that night in Chicago and the hot coffee cakes in the lonely room.
The snow whirled outside. A big party was on hand in New York; we were all going. Dean packed his broken trunk, put it in the car, and we all took off for the big night. My aunt was happy with the thought that my brother would be visiting her the following week; she sat with her paper and waited for the midnight New Year's Eve broad- cast from Times Square. We roared into New York, swerving on ice. I was never scared when Dean drove; he could handle a car under any circumstances. The radio had been fixed and now he had wild bop to urge us along the night. I didn't know where all this was leading; I didn't care.
Just about that time a strange thing began to haunt me. It was this: I had forgotten something. There was a decision that I was about to make before Dean showed up, and now it was driven clear out of my mind but still hung on the tip of my mind's tongue. I kept snapping my fingers, trying to remember it. I even mentioned it. And I couldn't even tell if it was a real decision or just a thought I had forgotten. It haunted and flabbergasted me, made me sad. It had to do somewhat with the Shrouded Traveler. Carlo Marx and I once sat down together, knee to knee, in two chairs, facing, and I told him a dream I had about a strange Arabian figure that was pursuing me across the desert; that I tried to avoid; that finally overtook me just before I reached the Protec- tive City. "Who is this?" said Carlo. We pondered it. I proposed it was myself, wearing a shroud. That wasn't it. Something, someone, some spirit was pursuing all of us across the desert of life and was bound to catch us before we reached heaven. Naturally, now that I look back on it, this is only death: death will overtake us before heaven. The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death. But who wants to die? In the rush of events I kept thinking about this in the back of my mind. I told it to Dean and he instantly recognized it as the mere simple longing for pure death; and because we're all of us never in life again, he, rightly, would have nothing to do with it, and I agreed with him then.
We went looking for my New York gang of friends. The crazy flowers bloom there too. We went to Tom Saybrook's first. Tom is a sad, handsome fellow, sweet, generous, and amenable; only once in a while he suddenly has fits of depression and rushes off without saying a word to anyone. This night he was overjoyed. "Sal, where did you find these absolutely wonderful people? I've never seen anyone like them."
"I found them in the West."
Dean was having his kicks; he put on a jazz record, grabbed Marylou, held her tight, and bounced against her with the beat of the music. She bounced right back. It was a real love dance. Ian MacArthur came in with a huge gang. The New Year's weekend began, and lasted three days and three nights. Great gangs got in the Hudson and swerved in the snowy New York streets from party to party. I brought Lucille and her sister to the biggest party. When Lucille saw me with Dean and Marylou her face darkened--she sensed the madness they put in me.
"I don't like you when you're with them."
"Ah, it's all right, it's just kicks. We only live once. We're having a good time."
"No, it's sad and I don't like it."
Then Marylou began making love to me; she said Dean was going to stay with Camille and she wanted me to go with her. "Come back to San Francisco with us. We'll live together. I'll be a good girl for you." But I knew Dean loved Marylou, and I also knew Marylou was doing this to make Lucille jealous, and I wanted nothing of it. Still and all, I licked my lips for the luscious blonde. When Lucille saw Marylou pushing me into the corners and giving me the word and forcing kisses on me she accepted Dean's invitation to go out in the car; but they just talked and drank some of the Southern moonshine I left in the com- partment. Everything was being mixed up, and all was falling. I knew my affair with Lucille wouldn't last much longer. She wanted me to be her way. She was married to a longshoreman who treated her badly. I was willing to marry her and take her baby daughter and all if she divorced the husband; but there wasn't even enough money to get a di- vorce and the whole thing was hopeless, besides which Lucille would never understand me because I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.
The parties were enormous; there were at least a hundred people at a basement apartment in the West Nineties. People over- flowed into the cellar compartments near the furnace. Something was going on in every corner, on every bed and couch--not an orgy but just a New Year's party with frantic screaming and wild radio music. There was even a Chinese girl. Dean ran like Groucho Marx from group to group, digging everybody. Periodically we rushed out to the car to pick up more people. Damion came. Damion is the hero of my New York gang, as Dean is the chief hero of the Western. They immediately took a dislike to each other. Damion's girl suddenly socked Damion on the jaw with a roundhouse right. He stood reeling. She carried him home. Some of our mad newspaper friends came in from the office with bottles. There was a tremendous and wonderful snowstorm going on outside. Ed Dunkel met Lucille's sister and disappeared with her; I forgot to say that Ed Dunkel is a very smooth man with the women. He's six foot four, mild, affable, agreeable, bland, and delightful. He helps women on with their coats. That's the way to do things. At five o'clock in the morning we were all rushing through the backyard of a tenement and climbing in through a window of an apartment where a huge party was going on. At dawn we were back at Tom Saybrook's. People were drawing pictures and drinking stale beer. I slept on a couch with a girl called Mona in my arms. Great groups filed in from the old Columbia Campus bar. Everything in life, all the faces of life, were piling into the same dank room. At Ian MacArthur's the party went on. Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight. He began to learn "Yes!" to everything, just like Dean at this time, and hasn't stopped since. To the wild sounds of Dexter Gordon and Wardell Gray blowing "The Hunt," Dean and I played catch with Marylou over the couch; she was no small doll either. Dean went around with no undershirt, just his pants, barefoot, till it was time to hit the car and fetch more people. Every- thing happened. We found the wild, ecstatic Roll Greb and spent a night at his house on Long Island. Roll lives in a nice house with his aunt; when she dies the house is all his. Meanwhile she refuses to comply with any of his wishes and hates his friends. He brought this ragged gang of Dean, Marylou, Ed, and me, and began a roaring party. The woman prowled upstairs; she threatened to call the police. "Oh, shut up, you old bag!" yelled Greb. I wondered how he could live with her like this. He had more books than I've ever seen in all my life--two libraries, two rooms loaded from floor to ceiling around all four walls, and such books as the Apocryphal Something-or-Other in ten volumes. He played Verdi operas and pantomimed them in his pajamas with a great rip down the back. He didn't give a damn about anything. He is a great scholar who goes reeling down the New York waterfront with original seventeenth-century musical manuscripts under his arm, shouting. He crawls like a big spider through the streets. His excite- ment blew out of his eyes in stabs of fiendish light. He rolled his neck in spastic ecstasy. He lisped, he writhed, he flopped, he moaned, he howled, he fell back in despair. He could hardly get a word out, he was so excited with life. Dean stood before him with head bowed, repeating over and over again, "Yes ... Yes ... Yes." He took me into a corner. "That Roll Greb is the greatest, most wonderful of all. That's what I was trying to tell you--that's what I want to be. I want to be like him. He's never hung-up, he goes every direction, he lets it all out, he knows time, he has nothing to do but rock back and forth. Man, he's the end! You see, if you go like him all the time you'll finally get it.""Get what?"
"IT! IT! I'll tell you--now no time, we have no time now." Dean rushed back to watch Roll Greb some more.
George Shearing, the great jazz pianist, Dean said, was exactly like Roll Greb. Dean and I went to see Shearing at Birdland in the midst of the long, mad weekend. The place was deserted, we were the first customers, ten o'clock. Shearing came out, blind, led by the hand to his keyboard. He was distinguished-looking Englishman with a stiff white collar,! slightly beefy, blond, with a delicate English-summer's- night air about him that came out in the first rippling sweet number! he played as the bass-player leaned to him reverently and} thrummed the beat. The drummer, Denzil Best, sat motionless! except for his wrists snapping the brushes. And Shearing began to rock; a smile broke over his ecstatic face; he began to rock in the piano seat, back and forth, slowly at first, then the beat went up, and he began rocking fast, his left foot jumped up with every beat, his neck began to rock crookedly, he brought his face down to the keys, he pushed his hair back, his combed hair dissolved, he began to sweat. The music I picked up. The bass- player hunched over and socked it in, faster and faster, it seemed faster and faster, that's all. Shearing began to play his chords; they rolled out of the piano in great rich showers, you'd think the man wouldn't have time to line them up. They rolled and rolled like the sea. Folks yelled for him to "Go!" Dean was sweating; the swear poured down his collar. "There he is! That's him! Old God! Old God Shearing! Yes! Yes! Yes!" And Shearing was conscious of the madman behind him, he could hear every one of Dean's gasps and imprecations, he could sense it though he couldn't see. "That's right!" Dean said. "Yes!" Shearing smiled; he rocked. Shearing rose from the piano, dripping with sweat; these were his great 1949 days before he became cool and commercial. When he was gone Dean pointed to the empty piano seat. "God's empty chair," he said. On the piano a horn sat; its golden shadow made a strange reflection along the desert caravan painted on the wall behind the drums. God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smok- ing; Dean had bought some in New York. It made me think that everything was about to arrive--the moment when you know all and every- thing is decided forever.
"What are you going to do about Galatea?"
"Oh, we'll see. When we get to New Orleans. Don't you think so, huh?" He was starting to turn to me as well for advice; one Dean wasn't enough for him. But he was already in love with Galatea, pon- dering it.
"What are you going to do with yourself, Ed?" I asked.
"I don't know," he said. "I just go along. I dig life." He repeated it, following Dean's line. He had no direction. He sat reminiscing about that night in Chicago and the hot coffee cakes in the lonely room.
The snow whirled outside. A big party was on hand in New York; we were all going. Dean packed his broken trunk, put it in the car, and we all took off for the big night. My aunt was happy with the thought that my brother would be visiting her the following week; she sat with her paper and waited for the midnight New Year's Eve broad- cast from Times Square. We roared into New York, swerving on ice. I was never scared when Dean drove; he could handle a car under any circumstances. The radio had been fixed and now he had wild bop to urge us along the night. I didn't know where all this was leading; I didn't care.
Just about that time a strange thing began to haunt me. It was this: I had forgotten something. There was a decision that I was about to make before Dean showed up, and now it was driven clear out of my mind but still hung on the tip of my mind's tongue. I kept snapping my fingers, trying to remember it. I even mentioned it. And I couldn't even tell if it was a real decision or just a thought I had forgotten. It haunted and flabbergasted me, made me sad. It had to do somewhat with the Shrouded Traveler. Carlo Marx and I once sat down together, knee to knee, in two chairs, facing, and I told him a dream I had about a strange Arabian figure that was pursuing me across the desert; that I tried to avoid; that finally overtook me just before I reached the Protec- tive City. "Who is this?" said Carlo. We pondered it. I proposed it was myself, wearing a shroud. That wasn't it. Something, someone, some spirit was pursuing all of us across the desert of life and was bound to catch us before we reached heaven. Naturally, now that I look back on it, this is only death: death will overtake us before heaven. The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death. But who wants to die? In the rush of events I kept thinking about this in the back of my mind. I told it to Dean and he instantly recognized it as the mere simple longing for pure death; and because we're all of us never in life again, he, rightly, would have nothing to do with it, and I agreed with him then.
We went looking for my New York gang of friends. The crazy flowers bloom there too. We went to Tom Saybrook's first. Tom is a sad, handsome fellow, sweet, generous, and amenable; only once in a while he suddenly has fits of depression and rushes off without saying a word to anyone. This night he was overjoyed. "Sal, where did you find these absolutely wonderful people? I've never seen anyone like them."
"I found them in the West."
Dean was having his kicks; he put on a jazz record, grabbed Marylou, held her tight, and bounced against her with the beat of the music. She bounced right back. It was a real love dance. Ian MacArthur came in with a huge gang. The New Year's weekend began, and lasted three days and three nights. Great gangs got in the Hudson and swerved in the snowy New York streets from party to party. I brought Lucille and her sister to the biggest party. When Lucille saw me with Dean and Marylou her face darkened--she sensed the madness they put in me.
"I don't like you when you're with them."
"Ah, it's all right, it's just kicks. We only live once. We're having a good time."
"No, it's sad and I don't like it."
Then Marylou began making love to me; she said Dean was going to stay with Camille and she wanted me to go with her. "Come back to San Francisco with us. We'll live together. I'll be a good girl for you." But I knew Dean loved Marylou, and I also knew Marylou was doing this to make Lucille jealous, and I wanted nothing of it. Still and all, I licked my lips for the luscious blonde. When Lucille saw Marylou pushing me into the corners and giving me the word and forcing kisses on me she accepted Dean's invitation to go out in the car; but they just talked and drank some of the Southern moonshine I left in the com- partment. Everything was being mixed up, and all was falling. I knew my affair with Lucille wouldn't last much longer. She wanted me to be her way. She was married to a longshoreman who treated her badly. I was willing to marry her and take her baby daughter and all if she divorced the husband; but there wasn't even enough money to get a di- vorce and the whole thing was hopeless, besides which Lucille would never understand me because I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.
The parties were enormous; there were at least a hundred people at a basement apartment in the West Nineties. People over- flowed into the cellar compartments near the furnace. Something was going on in every corner, on every bed and couch--not an orgy but just a New Year's party with frantic screaming and wild radio music. There was even a Chinese girl. Dean ran like Groucho Marx from group to group, digging everybody. Periodically we rushed out to the car to pick up more people. Damion came. Damion is the hero of my New York gang, as Dean is the chief hero of the Western. They immediately took a dislike to each other. Damion's girl suddenly socked Damion on the jaw with a roundhouse right. He stood reeling. She carried him home. Some of our mad newspaper friends came in from the office with bottles. There was a tremendous and wonderful snowstorm going on outside. Ed Dunkel met Lucille's sister and disappeared with her; I forgot to say that Ed Dunkel is a very smooth man with the women. He's six foot four, mild, affable, agreeable, bland, and delightful. He helps women on with their coats. That's the way to do things. At five o'clock in the morning we were all rushing through the backyard of a tenement and climbing in through a window of an apartment where a huge party was going on. At dawn we were back at Tom Saybrook's. People were drawing pictures and drinking stale beer. I slept on a couch with a girl called Mona in my arms. Great groups filed in from the old Columbia Campus bar. Everything in life, all the faces of life, were piling into the same dank room. At Ian MacArthur's the party went on. Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight. He began to learn "Yes!" to everything, just like Dean at this time, and hasn't stopped since. To the wild sounds of Dexter Gordon and Wardell Gray blowing "The Hunt," Dean and I played catch with Marylou over the couch; she was no small doll either. Dean went around with no undershirt, just his pants, barefoot, till it was time to hit the car and fetch more people. Every- thing happened. We found the wild, ecstatic Roll Greb and spent a night at his house on Long Island. Roll lives in a nice house with his aunt; when she dies the house is all his. Meanwhile she refuses to comply with any of his wishes and hates his friends. He brought this ragged gang of Dean, Marylou, Ed, and me, and began a roaring party. The woman prowled upstairs; she threatened to call the police. "Oh, shut up, you old bag!" yelled Greb. I wondered how he could live with her like this. He had more books than I've ever seen in all my life--two libraries, two rooms loaded from floor to ceiling around all four walls, and such books as the Apocryphal Something-or-Other in ten volumes. He played Verdi operas and pantomimed them in his pajamas with a great rip down the back. He didn't give a damn about anything. He is a great scholar who goes reeling down the New York waterfront with original seventeenth-century musical manuscripts under his arm, shouting. He crawls like a big spider through the streets. His excite- ment blew out of his eyes in stabs of fiendish light. He rolled his neck in spastic ecstasy. He lisped, he writhed, he flopped, he moaned, he howled, he fell back in despair. He could hardly get a word out, he was so excited with life. Dean stood before him with head bowed, repeating over and over again, "Yes ... Yes ... Yes." He took me into a corner. "That Roll Greb is the greatest, most wonderful of all. That's what I was trying to tell you--that's what I want to be. I want to be like him. He's never hung-up, he goes every direction, he lets it all out, he knows time, he has nothing to do but rock back and forth. Man, he's the end! You see, if you go like him all the time you'll finally get it.""Get what?"
"IT! IT! I'll tell you--now no time, we have no time now." Dean rushed back to watch Roll Greb some more.
George Shearing, the great jazz pianist, Dean said, was exactly like Roll Greb. Dean and I went to see Shearing at Birdland in the midst of the long, mad weekend. The place was deserted, we were the first customers, ten o'clock. Shearing came out, blind, led by the hand to his keyboard. He was distinguished-looking Englishman with a stiff white collar,! slightly beefy, blond, with a delicate English-summer's- night air about him that came out in the first rippling sweet number! he played as the bass-player leaned to him reverently and} thrummed the beat. The drummer, Denzil Best, sat motionless! except for his wrists snapping the brushes. And Shearing began to rock; a smile broke over his ecstatic face; he began to rock in the piano seat, back and forth, slowly at first, then the beat went up, and he began rocking fast, his left foot jumped up with every beat, his neck began to rock crookedly, he brought his face down to the keys, he pushed his hair back, his combed hair dissolved, he began to sweat. The music I picked up. The bass- player hunched over and socked it in, faster and faster, it seemed faster and faster, that's all. Shearing began to play his chords; they rolled out of the piano in great rich showers, you'd think the man wouldn't have time to line them up. They rolled and rolled like the sea. Folks yelled for him to "Go!" Dean was sweating; the swear poured down his collar. "There he is! That's him! Old God! Old God Shearing! Yes! Yes! Yes!" And Shearing was conscious of the madman behind him, he could hear every one of Dean's gasps and imprecations, he could sense it though he couldn't see. "That's right!" Dean said. "Yes!" Shearing smiled; he rocked. Shearing rose from the piano, dripping with sweat; these were his great 1949 days before he became cool and commercial. When he was gone Dean pointed to the empty piano seat. "God's empty chair," he said. On the piano a horn sat; its golden shadow made a strange reflection along the desert caravan painted on the wall behind the drums. God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smok- ing; Dean had bought some in New York. It made me think that everything was about to arrive--the moment when you know all and every- thing is decided forever.