Chapter 6 The Widow III

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She was reassured as to Cyril during the next few days. He did not attempt to repeat his ingenious naughtiness of the Monday evening, and he came directly home for tea; moreover he had, as a kind of miracle performed to dazzle her, actually arisen early on the Tuesday morning and done his arithmetic. To express her satisfaction she had manufactured a specially elaborate straw- frame for the sketch after Sir Edwin Landseer, and had hung it in her bedroom: an honour which Cyril appreciated. She was as happy as a woman suffering from a recent amputation can be; and compared with the long nightmare created by Samuel's monomania and illness, her existence seemed to be now a beneficent calm.
Cyril, she thought, had realized the importance in her eyes of tea, of that evening hour and that companionship which were for her the flowering of the day. And she had such confidence in his goodness that she would pour the boiling water on the Horniman tea-leaves even before he arrived: certainty could not be more sure. And then, on the Friday of the first week, he was late! He bounded in, after dark, and the state of his clothes indicated too clearly that he had been playing football in the mud that was a grassy field in summer.
Have you been kept in, my boy?" she asked, for the sake of form.
No, mother," he said casually. "We were just kicking the ball about a bit. Am I late
Better go and tidy yourself," she said, not replying to his question. "You can't sit down in that state. And I'll have some fresh tea made. This is spoilt.
Oh, very well
Her sacred tea--the institution which she wanted to hallow by long habit, and which was to count before everything with both of them- -had been carelessly sacrificed to the kicking of a football in mud! And his father buried not ten days! She was wounded: a deep, clean, dangerous wound that would not bleed. She tried to be glad that he had not lied; he might easily have lied, saying that he had been detained for a fault and could not help being late. No! He was not given to lying; he would lie, like any human being, when a great occasion demanded such prudence, but he was not a liar; he might fairly be called a truthful boy. She tried to be glad, and did not succeed. She would have preferred him to have lied.
Amy, grumbling, had to boil more water.
When he returned to the parlour, superficially cleaned, Constance expected him to apologize in his roundabout boyish way; at any rate to woo and wheedle her, to show by some gesture that he was conscious of having put an affront on her. But his attitude was quite otherwise. His attitude was rather brusque and overbearing and noisy. He ate a very considerable amount of jam, far too quickly, and then asked for more, in a tone of a monarch who calls for his own. And ere tea was finished he said boldly, apropos of nothing
I say, mother, you'll just have to let me go to the School of Art after Easter.
And stared at her with a fixed challenge in his eyes.
He meant, by the School of Art, the evening classes at the School of Art. His father had decided absolutely against the project. His father had said that it would interfere with his lessons, would keep him up too late at night, and involve absence from home in the evening. The last had always been the real objection. His father had not been able to believe that Cyril's desire to study art sprang purely from his love of art; he could not avoid suspecting that it was a plan to obtain freedom in the evenings-- that freedom which Samuel had invariably forbidden. In all Cyril's suggestions Samuel had been ready to detect the same scheme lurking. He had finally said that when Cyril left school and took to a vocation, then he could study art at night if he chose, but not before.
You know what your father said!" Constance replied.
But, mother! That's all very well! I'm sure father would have agreed. If I'm going to take up drawing I ought to do it at once. That's what the drawing-master says, and I suppose he ought to know." He finished on a tone of insolence.
I can't allow you to do it yet," said Constance, quietly. "It's quite out of the question. Quite
He pouted and then he sulked. It was war between them. At times he was the image of his Aunt Sophia. He would not leave the subject alone; but he would not listen to Constance's reasoning. He openly accused her of harshness. He asked her how she could expect him to get on if she thwarted him in his most earnest desires. He pointed to other boys whose parents were wiser.
It's all very fine of you to put it on father!" he observed sarcastically.
He gave up his drawing entirely.
When she hinted that if he attended the School of Art she would be condemned to solitary evenings, he looked at her as though saying: "Well, and if you are--?" He seemed to have no heart.
After several weeks of intense unhappiness she said: "How many evenings do you want to go
The war was over.
He was charming again. When she was alone she could cling to him again. And she said to herself: "If we can be happy together only when I give way to him, I must give way to him." And there was ecstasy in her yielding. "After all," she said to herself, "perhaps it's very important that he should go to the School of Art." She solaced herself with such thoughts on three solitary evenings a week, waiting for him to come home.
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