第一部 第二十一章

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The week of scattered showers and shadows which elapsed after our last visit to the motionless sands of Hourglass Lake was one of the gloomiest I can recall. Then came two or three dim rays of hope -- before the ultimate sunburst.

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My habit of being silent when displeased, or, more exactly, the cold and scaly quality of my displeased silence, used to frighten Valeria out of her wits. She used to whimper and wail, saying "Ce qui me rend folle, c'est que je ne sais à quoi tu penses quand tu es comme ça" I tried being silent with Charlotte -- and she just chirped on, or chucked my silence under the chin. An astonishing woman! I would retire to my former room, now a regular "studio," mumbling I had after all a learned opus to write, and cheerfully Charlotte went on beautifying the home, warbling on the telephone and writing letters. From my window, through the lacquered shiver of poplar leaves, I could see her crossing the street and contentedly mailing her letter to Miss Phalen's sister.

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It occurred to me that I had a fine brain in beautiful working order and that I might as well use it. If I dared not meddle with my wife's plans for her daughter (getting warmer and browner every day in the fair weather of hopeless distance), I could surely devise some general means to assert myself in a general way that might be later directed toward a particular occasion. One evening, Charlotte herself provided me with an opening.

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I swallowed my spoonful, wiped my lips with pink paper (Oh, the cool rich linens of Mirana Hotel!) and said: "I have also a surprise for you, my dear. We two are not going to England."

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"The matter is quite simple," I replied. "Even in the most harmonious of households, as ours is, not all decisions are taken by the female partner. There are certain things that the husband is there to decide. I can well imagine the thrill that you, a healthy American gal, must experience at crossing the Atlantic on the same ocean liner with Lady Bumble -- or Sam Bumble, the Frozen Meat King, or a Hollywood harlot. And I doubt not that you and I would make a pretty ad for the Traveling Agency when portrayed looking -- you, frankly starry-eyed, I, controlling my envious admiration -- at the Palace Sentries, or Scarlet Guards, or Beaver Eaters, or whatever they are called. But I happen to be allergic to Europe, including merry old England. As you well know, I have nothing but very sad associations with the Old and rotting World. No colored ads in your magazines will change the situation."

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"I have a surprise for you," she said looking at me with fond eyes over a spoonful of soup. "In the fall we two are going to England."

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"Why, what's the matter?" she said, looking -- with more surprise than I had counted upon -- at my hands (I was involuntarily folding and tearing and crushing and tearing again the innocent pink napkin). My smiling face set her somewhat at ease, however.

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"My darling," said Charlotte. "I really --"

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She had come to my side and had fallen on her knees and was slowly, but very vehemently, shaking her head and clawing at my trousers. She said she had never realized. She said I was her ruler and her god. She said Louise had gone, and let us make love right away. She said I must forgive her or she would die.

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"No, wait a minute. The present matter is only incidental. I am concerned with a general trend. When you wanted me to spend my afternoons sunbathing on the Lake instead of doing my work, I gladly gave in and became a bronzed glamor boy for your sake, instead of remaining a scholar and, well, an educator. When you lead me to bridge and bourbon with the charming Farlows, I meekly follow. No, please, wait. When you decorate your home, I do not interfere with your schemes. When you decide -- when you decide all kinds of matters, I may be in complete, or in partial, let us say, disagreement -- but I say nothing. I ignore the particular. I cannot ignore the general. I love being bossed by you, but every game has its rules. I am not cross. I am not cross at all. Don't do that. But I am one half of this household, and have a small but distinct voice."

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The "studio bed" in my former room had long been converted into the sofa it had always been at heart, and Charlotte had warned me since the very beginning of our cohabitation that gradually the room would be turned into a regular "writer's den." A couple of days after the British Incident, I was sitting in a new and very comfortable easy chair, with a large volume in my lap, when Charlotte rapped with her ring finger and sauntered in. How different were her movements from those of my Lolita, when she used to visit me in her dear dirty blue jeans, smelling of orchards in nymphetland; awkward and fey, and dimly depraved, the lower buttons of her shirt unfastened. Let me tell you, however, something. Behind the brashness of little Haze, and the poise of big Haze, a trickle of shy life ran that tasted the same, that murmured the same. A great French doctor once told my father that in near relatives the faintest gastric gurgle has the same "voice."

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This little incident filled me with considerable elation. I told her quietly that it was a matter not of asking forgiveness, but of changing one's ways; and I resolved to press my advantage and spend a good deal of time, aloof and moody, working at my book -- or at least pretending to work.

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"Locked up love letters."

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"Hidden."

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"Leave it alone," I said. I was Camping in Scandinavia.

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"I have always wanted to ask you," she said (businesslike, not coquettish), "why is this thing locked up? Do you want it in this room? It's so abominably uncouth."

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So Charlotte sauntered in. She felt all was not well between us. I had pretended to fall asleep the night before, and the night before that, as soon as we had gone to bed, and had risen at dawn.

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"Not at the moment," I said, turning volume C of the Girls' Encyclopedia around to examine a picture printed "bottom-edge" as printers say.

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Tenderly, she inquired if she were not "interrupting."

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"Is there a key?"

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Charlotte went up to a little table of imitation mahogany with a drawer. She put her hand upon it. The little table was ugly, no doubt, but it had done nothing to her.

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"Oh, Hum…"

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She gave me one of those wounded-doe looks that irritated me so much, and then, not quite knowing if I was serious, or how to keep up the conversation, stood for several slow pages (Campus, Canada, Candid Camera, Candy) peering at the window-pane rather than through it, drumming upon it with sharp almond-and-rose fingernails.

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Carefully putting down the open book where she had sat (it attempted to send forth a rotation of waves, but an inserted pencil stopped the pages), I checked the hiding place of the key: rather self-consciously it lay under the old expensive safety razor I had used before she bought me a much better and cheaper one. Was it the perfect hiding place -- there, under that razor, in the groove of its velvet-lined case? The case lay in a small trunk where I kept various business papers.

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"I think I know where that is," she said, still pointing, "There is a hotel I remember, Enchanted Hunters, quaint, isn't it? And the food is a dream. And nobody bothers anybody."

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"Is there anything special you would like for dinner, dear? John and Jean will drop in later."

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Presently (at Canoeing or Canvasback) she strolled up to my chair and sank down, tweedily, weightily, on its arm, inundating me with the perfume my first wife had used. "Would his lordship like to spend the fall here?" she asked, pointing with her little finger at an autumn view in a conservative Eastern State. "Why?" (very distinctly and slowly). She shrugged. (Probably Harold used to take a vacation at that time. Open season. Conditional reflex on her part.)

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She rubbed her cheek against my temple. Valeria soon got over that.

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I answered with a grunt. She kissed me on my underlip, and, brightly saying she would bake a cake (a tradition subsisted from my lodging days that I adored her cakes), left me to my idleness.

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Could I improve upon this? Remarkable how difficult it is to conceal things -- especially when one's wife keeps monkeying with the furniture.

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