第十一章

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Eliza saw Altamont not as so many hills, buildings, people: she saw it in the pattern of a gigantic blueprint. She knew the history of every piece of valuable property -- who bought it, who sold it, who owned it in 1893, and what it was now worth. She watched the tides of traffic cannily; she knew by what corners the largest number of people passed in a day or an hour; she was sensitive to every growing-pain of the young town, gauging from year to year its growth in any direction, and deducing the probable direction of its future expansion. She judged distances critically, saw at once where the beaten route to an important centre was stupidly circuitous, and looking in a straight line through houses and lots, she said:
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Her vision of land and population was clear, crude, focal -- there was nothing technical about it: it was extraordinary for its direct intensity. Her instinct was to buy cheaply where people would come; to keep out of pockets and culs de sac, to buy on a street that moved toward a centre, and that could be given extension.
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"There'll be a street through here some day."
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In winter, the wind blew howling blasts under the skirts of Dixieland: its back end was built high off the ground on wet columns of rotting brick. Its big rooms were heated by a small furnace which sent up, when charged with fire, a hot dry enervation to the rooms of the first floor, and a gaseous but chill radiation to those upstairs.
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Thus, she began to think of Dixieland. It was situated five minutes from the public square, on a pleasant sloping middle-class street of small homes and boarding-houses. Dixieland was a big cheaply constructed frame house of eighteen or twenty drafty high-ceilinged rooms: it had a rambling, unplanned, gabular appearance, and was painted a dirty yellow. It had a pleasant green front yard, not deep but wide, bordered by a row of young deep-bodied maples: there was a sloping depth of one hundred and ninety feet, a frontage of one hundred and twenty. And Eliza, looking toward the town, said: "They'll put a street behind there some day."
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The place was for sale. Its owner was a middle-aged horse-faced gentleman whose name was the Reverend Wellington Hodge: he had begun life favorably in Altamont as a Methodist minister, but had run foul of trouble when he began to do double service to the Lord God of Hosts and John Barleycorn -- his evangelical career came to an abrupt ending one winter's night when the streets were dumb with falling snow. Wellington, clad only in his winter heavies, made a wild sortie from Dixieland at two in the morning, announcing the kingdom of God and the banishment of the devil, in a mad marathon through the streets that landed him panting but victorious in front of the Post Office. Since then, with the assistance of his wife, he had eked out a hard living at the boarding-house. Now, he was spent, disgraced, and weary of the town.
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Besides, the sheltering walls of Dixieland inspired him with horror -- he felt that the malign influence of the house had governed his own disintegration. He was a sensitive man, and his promenades about his estate were checked by inhibited places: the cornice of the long girdling porch where a lodger had hanged himself one day at dawn, the spot in the hall where the consumptive had collapsed in a hemorrhage, the room where the old man cut his throat. He wanted to return to his home, a land of fast horses, wind-bent grass, and good whisky -- Kentucky. He was ready to sell Dixieland.
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He made no complaint. He felt suddenly the futility of opposing an implacable, an inexorable desire.
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Eliza pursed her lips more and more thoughtfully, went to town by way of Spring Street more and more often.
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"Do you want it?" he said.
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"That's going to be a good piece of property some day," she said to Gant.
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"You'll never regret it as long as you live, W. O.," said Dick Gudger, the agent.
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She pursed her lips several times: "It's a good buy," she said.
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She looked at him.
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"It's her house, Dick," said Gant wearily. "Make out the papers in her name."
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"I never want to own another piece of property as long as I live," said Gant. "It's a curse and a care, and the tax-collector gets all you have in the end."
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In the young autumn when the maples were still full and green, and the migratory swallows filled secretly the trees with clamor, and swooped of an evening in a black whirlwind down, drifting at its funnel end, like dead leaves, into their chosen chimney, Eliza moved into Dixieland. There was clangor, excitement, vast curiosity in the family about the purchase, but no clear conception of what had really happened. Gant and Eliza, although each felt dumbly that they had come to a decisive boundary in their lives, talked vaguely about their plans, spoke of Dixieland evasively as "a good investment," said nothing clearly. In fact, they felt their approaching separation instinctively: Eliza's life was moving by a half-blind but inevitable gravitation toward the centre of its desire -- the exact meaning of her venture she would have been unable to define, but she had a deep conviction that the groping urge which had led her so blindly into death and misery at Saint Louis had now impelled her in the right direction. Her life was on the rails.
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Eliza pursed her lips and nodded.
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She bought the place for seventy-five hundred dollars. She had enough money to make the first payment of fifteen hundred. The balance was to be paid in installments of fifteen hundred dollars a year. This she knew she had to pay chiefly from the earnings of the house.
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With scarcely a word spoken, as if it had been known anciently and forever, Helen stayed with Gant.
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The time for Daisy's marriage was growing near: she had been sought by a tall middle-aged shaven life-insurance agent, who wore spats, collars of immaculate starchiness five inches in height, who spoke with an unctuous and insane croon, chortling gently in his throat from time to time for no reason at all. His name was Mr. McKissem, and she had screwed up enough courage, after an arduous siege, to refuse him, upon the private grounds of insanity.
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Eliza took Eugene with her. He was the last tie that bound her to all the weary life of breast and cradle; he still slept with her of nights; she was like some swimmer who ventures out into a dark and desperate sea, not wholly trusting to her strength and destiny, but with a slender cord bound to her which stretches still to land.
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And however vaguely, confusedly, and casually they approached this complete disruption of their life together, the rooting up of their clamorous home, when the hour of departures came, the elements resolved themselves immutably and without hesitation.
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She had promised herself to a young South Carolinian, who was connected rather vaguely with the grocery trade. His hair was parted in the middle of his low forehead, his voice was soft, drawling, amiable, his manner hearty and insistent, his habits large and generous. He brought Gant cigars on his visits, the boys large boxes of assorted candies. Every one felt that he had favorable prospects.
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Thus, before he was eight, Eugene gained another roof and lost forever the tumultuous, unhappy, warm centre of his home. He had from day to day no clear idea where the day's food, shelter, lodging was to come from, although he was reasonably sure it would be given: he ate wherever he happened to hang his hat, either at Gant's or at his mother's; occasionally, although infrequently, he slept with Luke in the sloping, alcoved, gabled back room, rude with calcimine, with the high drafty steps that slanted to the kitchen porch, with the odor of old stacked books in packing-cases, with the sweet orchard scents. There were two beds; he exulted in his unaccustomed occupancy of an entire mattress, dreaming of the day of manlike privacy. But Eliza did not allow this often: he was riven into her flesh.
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As for the others -- Ben and Luke only -- they were left floating in limbo; for Steve, since his eighteenth year, had spent most of his life away from home, existing for months by semi-vagabondage, scrappy employment, and small forgeries upon his father, in New Orleans, Jacksonville, Memphis, and reappearing to his depressed family after long intervals by telegraphing that he was desperately sick or, through the intermediacy of a crony who borrowed the title of "doctor" for the occasion, that he was dying, and would come home in a box if he was not sent for in the emaciated flesh.
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"Good heavens, mama," Helen would answer irritably. "He's your child, not mine. I'm not going to see him starve."
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Helen put her hand over the mouthpiece, making a face at him as he stood catlike and sniggering by, burlesquing the Pentland manner, tone, mouthing.
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He was convulsed silently.
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"What do you mean? What do you mean? He ran off while dinner was on the table. I've got a good meal fixed for him here. H-m! A GOOD meal."
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Forgetful of him during the day's press, she summoned him at night over the telephone, demanding his return, and upbraiding Helen for keeping him. There was a bitter submerged struggle over him between Eliza and her daughter: absorbed in the management of Dixieland for days, she would suddenly remember his absence from meals, and call for him angrily across the phone.
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"H-m! Why, law me, child, yes -- it's GOOD soup."
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And then aloud: "Well, it's your own lookout, not mine. If he doesn't want to stay up there, I can't help it."
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When he returned to Dixieland, Eliza would question him with bitter working lips; she would prick at his hot pride in an effort to keep him by her.
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Gant had already named it "The Barn"; in the morning now, after his heavy breakfast at home, he would swing gauntly toward town by way of Spring Street, composing en route the invective that he had formerly reserved to his sitting-room. He would stride through the wide chill hall of Dixieland, bursting in upon Eliza, and two or three negresses, busy preparing the morning meal for the hungry boarders who rocked energetically upon the porch. All of the objections, all of the abuse that had not been uttered when she bought the place, were vented now.
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But the powerful charm of Gant's house, of its tacked and added whimsy, its male smell, its girdling rich vines, its great gummed trees, its roaring internal seclusiveness, the blistered varnish, the hot calfskin, the comfort and abundance, seduced him easily away from the great chill tomb of Dixieland, particularly in winter, since Eliza was most sparing of coal.
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"What do you mean by running off to your papa's like that? If I were you, I'd have too much pride for that. I'd be a-sha-a-med!" Her face worked with a bitter hurt smile. "Helen can't be bothered with you. She doesn't want you around."
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Eliza got along badly with the negroes. She had all the dislike and distrust for them of the mountain people. Moreover, she had never been used to service, and she did not know how to accept or govern it graciously. She nagged and berated the sullen negro girls constantly, tortured by the thought that they were stealing her supplies and her furnishings, and dawdling away the time for which she paid them. And she paid them reluctantly, dribbling out their small wages a coin or two at a time, nagging them for their laziness and stupidity.
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"Dat man sho' can tawk!"
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"Woman, you have deserted my bed and board, you have made a laughing stock of me before the world, and left your children to perish. Fiend that you are, there is nothing that you would not do to torture, humiliate and degrade me. You have deserted me in my old age; you have left me to die alone. Ah, Lord! It was a bitter day for us all when your gloating eyes first fell upon this damnable, this awful, this murderous and bloody Barn. There is no ignominy to which you will not stoop if you think it will put a nickel in your pocket. You have fallen so low not even your own brothers will come near you. 'Nor beast, nor man hath fallen so far.'"
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And in the pantries, above the stove, into the dining-room, the rich voices of the negresses chuckled with laughter.
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"No'm," said the negress sullenly, slatting flatfootedly down the kitchen.
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"What have you been doing all this time? Did you get those back rooms done upstairs?"
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This would go on throughout the day. As a result, Eliza would often begin the day without a servant: the girls departed at night muttering sullenly, and did not appear the next morning. Moreover, her reputation for bickering pettiness spread through the length and breadth of Niggertown. It became increasingly difficult for her to find any one at all who would work for her. Completely flustered when she awoke to find herself without help, she would immediately call Helen over the telephone, pouring her fretful story into the girl's ear and entreating assistance:
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"I'll vow," Eliza fretted. "I never saw such a good-for-nothing shiftless darkey in my life. You needn't think I'm going to pay you for wasting your time."
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"I'll declare, child, I don't know what I'm going to do. I could wring that worthless nigger's neck. Here I am left all alone with a house full of people."
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But, fuming and irritable, she would leave Gant's and go to her mother's, serving the tables with large heartiness, nervous and animated good-humor. All the boarders were very fond of her: they said she was a fine girl. Every one did. There was a spacious and unsparing generosity about her, a dominant consuming vitality, which ate at her poor health, her slender supply of strength, so that her shattered nerves drew her frequently toward hysteria, and sometimes toward physical collapse. She was almost six feet tall: she had large hands and feet, thin straight legs, a big-boned generous face, with the long full chin slightly adroop, revealing her big gold-traced upper teeth. But, in spite of this gauntness, she did not look hard-featured or raw-boned. Her face was full of heartiness and devotion, sensitive, whole-souled, hurt, bitter, hysterical, but at times transparently radiant and handsome.
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"Mama, in heaven's name, what's the matter? Can't you keep a nigger in the house? Other people do. What do you do to them, anyway?"
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"But she'd die rather than admit it. Do you ever hear her say a word of thanks? Do I get," she said laughing suddenly, her hysteria crossed for the moment with her great humor, "do I get so much as 'go-to-hell' for it?"
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"Yes'm," said Eugene, meekly serving as audience.
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"NO!" squealed Eugene, going off in fits of idiot laughter.
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"Let the least little thing go wrong and she's at the phone. It's not my place to go up there and work like a nigger for a crowd of old cheap boarders. You know that, don't you? DON'T you?"
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"Why, law me, child. H-m! Yes. It's GOOD soup," said she, touched with her great earthy burlesque.
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It was a spiritual and physical necessity for her to exhaust herself in service for others, and it was necessary for her to receive heavy slatherings of praise for that service, and especially necessary that she feel her efforts had gone unappreciated. Even at the beginning, she would become almost frantic reciting her grievances, telling the story of her service to Eliza in a voice that became harsh and hysterical:
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He tore his collar open, and undid his trousers, sliding to the floor in an apoplexy of laughter.
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"H-m! Why, law me! Yes," she continued, grinning at him as if she hoped to succeed.
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"Sdop! Sdop! You're g-g-gilling me!"
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Like Gant, like Luke, she needed extension in life, movement, excitement: she wanted to dominate, to entertain, to be the life of the party. On small solicitation, she sang for the boarders, thumping the cheap piano with her heavy accurate touch, and singing in her strong, vibrant, somewhat hard soprano a repertory of songs classical, sentimental, and comic. Eugene remembered the soft cool nights of summer, the assembled boarders and "I Wonder Who's Kissing Her Now," which Gant demanded over and over; "Love Me and the World Is Mine"; "Till the Sands of the Desert Grow Cold"; "Dear Old Girl, the Rob-BIN Sings Above You"; "The End of a Perfect Day"; and "Alexander's Rag-Time Band," which Luke had practised in a tortured house for weeks, and sung with thunderous success in the High School Minstrels.
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Nevertheless, whether Eliza was servantless or not, she went daily at dinner, the mid-day meal, to help at table, and frequently at night when Gant and the boys ate with Eliza instead of at home. She went because of her deep desire to serve, because it satisfied her need for giving more than was returned, and because, in spite of her jibes, along with Gant, at the Barn, and the "cheap boarders," the animation of feeding, the clatter of plates, the braided clamor of their talk, stimulated and excited her.
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"-- And what did WE do, gentlemen? We sank their navy in an action that lasted only twenty minutes, stormed at by shot and shell, Teddy and his Rough Riders took the hill at Santiago -- it was all over, as you well know, in a few months. We had declared war with no thought of ulterior gain; we came because the indignation of a GREAT people had been aroused at the oppression of a smaller one, and then, with a magnanimity well worthy the greatest people of the face of the earth, we paid our defeated enemy twenty millions of dollars. Ah, Lord! That was magnanimity indeed! You don't think any other nation would have done that, do you?"
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Later, in the cool dark, Gant, rocking violently, would hold forth on the porch, his great voice carrying across the quiet neighborhood, as he held the charmed boarders by his torrential eloquence, his solution of problems of state, his prejudiced but bold opinion upon current news.
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"No, sir," said the boarders emphatically.
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They didn't always agree with his political opinions -- Roosevelt was the faultless descendant of Julius Cæsar, Napoleon Bonaparte, and Abraham Lincoln -- but they felt he had a fine head and would have gone far in politics.
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And yet, there was surging into these chosen hills the strong thrust of the world, like a kissing tide, which swings lazily in with a slapping glut of waters, and recoils into its parent crescent strength, to be thrown farther inward once again.
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"That man should have been a lawyer," said the boarders.
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The streets, ten years before raw clay, were being paved: Gant went into frenzies over the paving assessments, cursed the land, the day of his birth, the machinations of Satan's children. But Eugene followed the wheeled casks of boiling tar; watched the great roller, a monster that crushed him in night-mares, powder the layered rock; felt, as he saw the odorous pressed tongue of pavement lengthen out, a swelling ecstasy.
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It was an element of Eliza's primitive and focal reasoning that men and women withered by the desert would seek an oasis, that those who were thirsty would seek water, and that those panting on the plains would look into the hills for comfort and relief. She had that bull's-eye accuracy which has since been celebrated, when plum-picking's over, under the name of "vision."
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From time to time, a stilted Cadillac gasped cylindrically up the hill past Dixieland: Eugene said a spell, as it faltered, for its success -- Jim Sawyer, a young blood, came for Miss Cutler, the Pittsburgh beauty: he opened a door behind in the fat red belly. They got in.
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"Whose little boy are you?"
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Silence. Presently: "Dere's a gal up de street at Mis' Cawpening's who's lookin' fo' wuk. YOU go see HUH."
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Eliza watched them with a falcon's eye for thefts. Once, with a detective, she searched a departed girl's room in Niggertown, finding there sheets, towels, spoons that had been stolen from her. The girl went to the penitentiary for two years. Eliza loved the commotion of law, the smell and tension of the courts. Whenever she could go to law she did so: she delighted in bringing suit against people, or in having suit brought against her. She always won.
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Sometimes, when Eliza awoke to find her servants gone, he was sent down into Niggertown to capture a new one: in that city of rickets he searched into their fetid shacks, past the slow stench of little rills of mire and sewage, in fetid cellars, through all the rank labyrinth of the hill-sprawled settlement. He came, in the hot sealed dungeons of their rooms, to know the wild grace of their bodies, thrown upon a bed, their rich laughter, their smell of the jungle tropics stewed in with frying cookery and a boiling wash.
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"Do you want a job?"
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"Mrs. Eliza Gant's."
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Eugene was ashamed of Dixieland. And he was again afraid to express his shame. As with The Post, he felt thwarted, netted, trapped. He hated the indecency of his life, the loss of dignity and seclusion, the surrender to the tumultuous rabble of the four walls which shield us from them. He felt, rather than understood, the waste, the confusion, the blind cruelty of their lives -- his spirit was stretched out on the rack of despair and bafflement as there came to him more and more the conviction that their lives could not be more hopelessly distorted, wrenched, mutilated, and perverted away from all simple comfort, repose, happiness, if they set themselves deliberately to tangle the skein, twist the pattern. He choked with fury: he thought of Eliza's slow speech, her endless reminiscence, her maddening lip-pursing, and turned white with constricted rage.
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When her boarders defaulted payments she seized their belongings triumphantly, delighting particularly in eleventh-hour captures at the railway station, with the aid of an obedient constabulary, and ringed by the attentive offal of the town.
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He saw plainly by this time that their poverty, the threat of the poorhouse, the lurid references to the pauper's grave, belonged to the insensate mythology of hoarding; anger smouldered like a brand in him at their sorry greed. There was no place sacred unto themselves, no place fixed for their own inhabitation, no place proof against the invasion of the boarders.
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As the house filled, in the summer season, and it was necessary to wait until the boarders had eaten before a place could be found for him, he walked sullenly about beneath the propped back porch of Dixieland, savagely exploring the dark cellar, or the two dank windowless rooms which Eliza rented, when she could, to negresses.
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As the house filled, they went from room to little room, going successively down the shabby scale of their lives. He felt it would hurt them, coarsen them: he had even then an intense faith in food, in housing, in comfort -- he felt that a civilized man must begin with them; he knew that wherever the spirit had withered, it had not withered because of food and plumbing.
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In the fresh Sunday morning air he marched off with brisk excitement to do duty at the altars, pausing near the church where the marshalled ranks of the boys' military school split cleanly into regimented Baptists, Methodists, Presbyterians.
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He felt now the petty cruelty of village caste. On Sunday for several years, he had bathed, brushed, arrayed his anointed body in clean underwear and shirting and departed, amid all the pleasurable bustle of Sunday morning, for the Presbyterian Sunday School. He had by this time been delivered from the instruction of the several spinsters who had taught his infant faith the catechism, the goodness of God, and the elements of celestial architecture. The five-cent piece which formerly he had yielded up reluctantly, thinking of cakes and ale, he now surrendered more gladly, since he usually had enough left over for cold gaseous draughts at the soda-fountain.
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The children assembled in a big room adjacent to the church, honey-combed to right and left with small classrooms, which they entered after the preliminary service was finished. They were exhorted from the platform by the superintendent, a Scotch dentist with a black-gray beard, fringed by a small area of embalmed skin, whose cells, tissues, and chemical juices seemed to have been fixed in a state of ageless suspension, and who looked no older from one decade to another.
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Eugene liked the high crystal voices of the little children, backed by the substantial marrow of the older boys and girls, and based on the strong volume of the Junior and Senior Baraccas and Philatheas. They sang:
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He read the text, or the parable of the day's study, commented on it with Cæsarean dryness and concision, and surrendered the service to his assistant, a shaven, spectacled, Wilsonian-looking man, also Scotch, who smiled with cold affection at them over his high shiny collar, and led them through the verses of a hymn, heaving up his arms and leering at them encouragingly, as they approached the chorus. A sturdy spinstress thumped heavily upon a piano which shook like a leaf.
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Someone is sinking today-ee"—
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He liked that one very much. And the noble surge of "Onward, Christian Soldiers."
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"Throw out the lifeline, throw out the lifeline,
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on the mornings when the collection went for missionary work. And they sang:
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"Shall we gather at the river,
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The bew-tee-ful, the bew-tee-ful r-hiver."
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Later, he went into one of the little rooms with his class. The sliding doors rumbled together all around; presently there was a quiet drone throughout the building.
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He was now in a class composed entirely of boys. His teacher was a tall white-faced young man, bent and thin, who was known to all the other boys as secretary of the Y. M. C. A. He was tubercular; but the boys admired him because of his former skill as a baseball and basketball player. He spoke in a sad, sugary, whining voice; he was oppressively Christ-like; he spoke to them intimately about the lesson of the day, asking them what it might teach them in their daily lives, in acts of obedience and love to their parents and friends, in duty, courtesy, and Christian charity. And he told them that when they were in doubt about their conduct they should ask themselves what Jesus would say: he spoke of Jesus often in his melancholy, somewhat discontented voice -- Eugene became vaguely miserable as he talked, thinking of something soft, furry, with a wet tongue.
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He was nervous and constrained: the other boys knew one another intimately -- they lived on, or in the neighborhood of, Montgomery Avenue, which was the most fashionable street in town. Sometimes, one of them said to him, grinning: "Do you want to buy The Saturday Evening Post, Mister?"
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Eugene, during the week, never touched the lives of any of them, even in a remote way. His idea of their eminence was grossly exaggerated; the town had grown rapidly from a straggling village -- it had few families as old as the Pentlands, and, like all resort towns, its caste system was liquidly variable, depending chiefly upon wealth, ambition, and boldness.
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Harry Tarkinton and Max Isaacs were Baptists, as were most of the people, the Scotch excepted, in Gant's neighborhood. In the social scale the Baptists were the most populous and were considered the most common: their minister was a large plump man with a red face and a white vest, who reached great oratorical effects, roaring at them like a lion, cooing at them like a dove, introducing his wife into the sermon frequently for purposes of intimacy and laughing, in a programme which the Episcopalians, who held the highest social eminence, and the Presbyterians, less fashionable, but solidly decent, felt was hardly chaste. The Methodists occupied the middle ground between vulgarity and decorum.
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This starched and well brushed world of Sunday morning Presbyterianism, with its sober decency, its sense of restraint, its suggestion of quiet wealth, solid position, ordered ritual, seclusive establishment, moved him deeply with its tranquillity. He felt concretely his isolation from it, he entered it from the jangled disorder of his own life once a week, looking at it, and departing from it, for years, with the sad heart of a stranger. And from the mellow gloom of the church, the rich distant organ, the quiet nasal voice of the Scotch minister, the interminable prayers, and the rich little pictures of Christian mythology which he had collected as a child under the instruction of the spinsters, he gathered something of the pain, the mystery, the sensuous beauty of religion, something deeper and greater than this austere decency.
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